![]() Meanwhile, “Pleaceholder” has a pop punk vibe to it before it would transform into “Old White Lincoln” and again, the latter is the better version.Īs for the songs which made it onto the final version, it’s clear to anyone who’s spent time with the album what the songs became. Lyrically, it thematically fits the album but its presence wouldn’t have enhanced The ’59 Sound. Elsewhere, “Our Father’s Sons” features country twangings and has a chain gang lament and feel to it before the outro features the opening notes of “Great Expectations” (which is still present in this demo form). To have beefed it up to the “full” version, the soul of the song would have been lost. It’s a meaty rendition and as dark as the original and in this basic format, is a weighty beast. #The gaslight anthem the 59 sound fullHalf the songs which feature on the full album are here but there’s a couple of notable additions, namely the cover of Johnny Cash’s “God’s Gonna Cut You Down”. It’s rough around the edges, Fallon’s vocals are more gravelly and there’s a cynical tint to them where the final versions held more optimism. Naturally, everything on this is much more raw than the polished final versions. Recorded in a day in their native New Jersey, many of the songs found here would make their way onto the full-realised album. To celebrate their return, The Gaslight Anthem have delved into the vault and given the world The ’59 Sound Sessions. Essentially, The ’59 Sound was a slow burner for me but right now, it’s on regular rotation (a story for another day). My knowledge of this band is minimal, I’ve been aware of them for a few years but it wasn’t until Brian Fallon’s Sleepwalkers album earlier this year opened my ears and I delved into his music and The Gaslight Anthem’s. Retrieved 19 September 2016.After a few years of slumber, The Gaslight Anthem have surfaced from their hiatus, namely to celebrate the tenth anniversary of their seminal album The ’59 Sound. Archived from the original on 21 July 2012.
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